Events
Please find below a selection of concerts around the country, and sometimes beyond, featuring woodwind instruments. If you have a concert that you think might be relevant for listing on our page, please ‘Get in Touch’ with the details and a link to the booking page.
Sibelius Symphony No.1
April 27th 2024 at 15:00 – 17:00
Join us for the epic conclusion to the Toronto Symphony Youth Orchestra’s golden jubilee season. Throughout its 50 year history, the TSYO has taught young musicians to be the best versions of themselves, both inside and outside the concert hall. TSYO musicians have seen their share of trials and tribulations, but they have always emerged triumphant, just like the featured piece in this milestone concert—Mahler’s First Symphony.
Simon Rivard, conductor
Trevor Wilson, RBC Resident Conductor
Cian Bryson, bassoon (2022/23 TSYO Concerto Competition winner)
Shostakovich: Festive Overture
Kalevi Aho: Bassoon Concerto
Mahler: Symphony No. 1
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Brahms | Fogg | Boulanger | Grant Still
11/05/2024 7:15 pm
Methodist Central Hall, Queen Street, Scarborough, YO11 1HQ
BRAHMS | FOGG | BOULANGER | GRANT STILL
May 11th 2024 at 19:15 – 20:45
Conductor Shaun Matthew
Bassoon Linton Stephens
Brahms – Academic Festival Overture
Fogg – Bassoon Concerto
Boulanger – D’un Soir Triste
Grant Still – Symphony No.4, ‘Autochthonous’ (UK première)
Our concert begins with Brahms’s Academic Festival Overture. Composed in 1880 and dedicated to the University of Breslau, Brahms conjures up less of a sense of the academic student but more of the comradeship in the student world.
We are proud to welcome Linton Stephens to perform the Bassoon Concerto by English composer, Eric Fogg. Written in 1931, it is an exciting, three movement work with the most glorious Chaconne as its 2nd movement. The outer movements display all the fun, cheekiness and virtuosic nature of the bassoon.
We continue with one of Lili Boulanger’s final works, D’un Soir Triste. This short but powerful piece displays the conflict of a terminally ill Lili Boulanger confronting her own mortality.
We close our concert with the UK première of William Grant Still’s Symphony no. 4, ‘Autochthonous’. Still’s original programme note states that the symphony ‘speaks of the fusion of musical cultures in North America.’ Join us for this amazing work, full of melody and the human spirit.
In partnership with Big Ideas By The Sea
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Calefax Reed Quintet – Bach, Dvořák, Debussy, Gershwin
13/05/2024 1:00 pm
Wigmore Hall, 36 Wigmore Street, London, W1U 2BP
Calefax Reed Quintet
Bach, Dvořák, Debussy, Gershwin
May 13th 2023 at 13:00 – 14:00
The Times has described the ensemble as ‘five extremely gifted Dutch gents who almost made the reed quintet seem the best musical format on the planet’. Though new works form part of its repertoire for the unique combination of oboe, clarinet, saxophone, bass clarinet and bassoon, here it offers a variety of arrangements.
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Close-up: Tutti in threes
16/06/2024 2:15 pm
Recital Hall, Concertgebouwplein 10, 1071 LN Amsterdam, The Netherlands
Close-up: Tutti in threes
June 16th 2024 at 14:15 – 16:35
The Close-up series is the best way to experience the Concertgebouw Orchestra’s musicians as individuals! Tonight wind players form the orchestra will come to the foreground, playing music by Beethoven, Reicha, Glinka and Poulenc, with the number 3 as the unifying theme.
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Woodwind Forward!
16/06/2024 2:15 pm
Kleiner Saal, Elbphilharmonie, Platz d. Deutschen Einheit 4, 20457 Hamburg, Germany
Woodwind Forward!
June 16th 2024 at 11:00 – 13:00
Already in the first half of the 20th century, French composers and orchestras used to put the woodwinds in the foreground. It should define their style and the special French sound. Francis Poulenc was one of the most important representatives of this tradition, and his music focuses on multicolor and sensitive poetry.
“”After all the impressionistic mists, will not this simple and clear art [of Poulenc], so reminiscent of Scarlatti and Mozart, be the next phase of our music?”” of wind music prove true in any case. With his few wind works, he set standards that still have an impact today.
Poulenc’s compositional spheres are complemented by the music of Henri Tomasis, Jean Françaix and Charles Koechlin. Behind the seemingly naïve title of Tomasi’s rural concerto »Concert champêtre« lies a knowledgeable allusion to French rococo music mixed with the Corsican flair of Tomasi’s homeland.
Charles Koechlin’s Bassoon Sonata takes us back to the sounds of Impressionism. In the France of his time, Koechlin was considered an outsider and yet created an exceptional work that shows how delicate and at the same time wild and intoxicating the bassoon is. And how many magnificent nuances of sound the instrument, which usually stands in the background, carries within itself.
Jean Françaix’s trio in four movements shows the 82-year-old composer still at the height of his creative power: melodic invention, rhythmic wit, harmonic elasticity and an elegant instrumental writing form a particularly fortunate combination.
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